About
I'm a Vanier Scholar and PhD candidate in philosophy at the University of British Columbia. I work on the philosophy of emotion and imagination, at the intersection of philosophy of mind, aesthetics, and South Asian philosophy. My doctoral research focuses on rasa (aesthetic emotion) theory in Classical Sanskrit and modern South Asian aesthetics, and on the experience of death and dying. I also work on the philosophical psychology of daydreaming and other imaginative experiences.
I am writing a book on death and imagination for Columbia University Press. Beyond philosophy, I am a publishing poet and hold an MFA in poetry from the University of Virginia, where, as a Poe/Faulkner Fellow, I taught poetry courses and served as Editor-in-Chief of the literary magazine Meridian.
- Dissertation
- Life’s Painful Beauty: Rasa and Deathbed Aesthetics
- Committee
- Evan Thompson (supervisor), Catherine Prueitt (co-supervisor), Dominic McIver Lopes
- AOS
- Philosophy of Mind · Aesthetics · Indian Philosophy
- AOC
- Buddhist Philosophy · Value Theory
- Languages
- Classical Sanskrit (advanced reading and translation)
Research
Book
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Death: A Guide for ImaginersColumbia University Press, No Limits series, ed. Costică Brădățanunder contract
Articles
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British Journal of Aestheticsforthcoming
Abstract
Dying can be ugly. This fact is relevant to the growing subfield of everyday aesthetics, to the philosophy of death, and to all of us as mortal beings. Disgusting experiences in particular seem to impose a limit on the dying person’s aesthetic agency. If disgust is the fitting response to medical and body horror in everyday contexts, we might think that we can aesthetically respond to these properties only with rational disgust (cold comfort for the dying person seeking beauty in painful circumstances) or with deluded aesthetic enjoyment (false beauty). I develop a Bhattacharyyan solution to this dilemma, defending a third option. According to K. C. Bhattacharyya (KCB, 1875–1949), even acute disgust in everyday life can be rationally enjoyed as an aesthetic emotion in virtue of adopting an emotional perspective of ‘courageous love’ through a specific imaginative procedure. I argue that courageous love is a merited, positive aesthetic-emotional response to disgusting experiences on the deathbed.
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Philosophers’ Imprintforthcoming
Abstract
This paper examines an enduring puzzle about enjoying aesthetic disgust as it arises for Abhinavagupta (c. 975–1025 CE). Abhinavagupta claims that all aesthetic emotions (rasas), including the disgust (bībhatsa) rasa, are pleasurable for the sensitive appreciator. Yet he elsewhere characterizes disgust as incompatible with enjoyment of its object. Taken together, these are puzzling claims. I trace the puzzle through a number of Abhinavagupta’s works and those on which he commented in the Pratyabhijñā Śaiva tradition. Along the way, I consider three possible but philosophically unsatisfying answers, each of which provides important pieces of the solution. Putting these pieces together with the Pratyabhijñā defense of impurity’s value and phenomenological analysis of imagination, I reconstruct an Abhinavaguptan solution according to which reflexive appreciation of expanding the limits of human imagination can explain how it is possible to enjoy experiencing aesthetic disgust and why we have reason to seek out this difficult pleasure.
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with Jennifer Burrell and Kalina Christoff HadjiilievaBehavioral Sciences 15(10): 13332025
Abstract
Compulsive fantasy, often called “maladaptive daydreaming,” involves frequent engagement with immersive fantasies that can sometimes interfere with everyday life and cause distress. This paper expands on Christoff and colleagues’ Dynamic Framework of Thought (DFT) to offer a process-based analysis of compulsive fantasy as it relates to other mental phenomena such as daydreaming and creative thought. Drawing on existing literature and posts on online forums by self-identified maladaptive daydreamers, we also propose an account of how compulsive fantasy episodes may unfold in terms of the oscillating dynamics of various constraints on thought, and how these dynamics may be related to a perceived struggle with agency. Our analysis supports the use of “compulsive fantasy” as a more accurate designation than “maladaptive daydreaming” for this phenomenon: compulsive fantasies are not daydreams, because they are more constrained in their mental dynamics. We show that fantasy and daydreaming are not inherently harmful, but can become so when they are accompanied by relatively strong and sustained automatic constraints on thought.
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with Dominic McIver LopesJournal of the American Philosophical Association 10(4): 728–7432024
Abstract
K. C. Bhattacharyya proposed a distinctively modern theory of rasa, or aesthetic emotion, according to which aesthetic emotions are feelings that have other feelings as their intentional objects. This paper articulates how Bhattacharyya’s theory offers a novel solution to the “paradox of sorrow”: a puzzle about how it is both possible and rational to enjoy the kind of negative emotions that are inspired by tragic and sorrowful tales. Bhattacharyya’s solution is distinct from the conversion and compensation views that dominate the existing literature, and it derives its significance from how it ties aesthetic experience to self-awareness.
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with Evan ThompsonPhilosophy and the Mind Sciences 5(1): 1–342024
Abstract
Research on the specific features of daydreaming compared with mind wandering and night-dreaming is a neglected topic in the philosophy of mind and the cognitive neuroscience of spontaneous thought. The extant research either conflates daydreaming with mind-wandering, treats daydreaming and mind-wandering as opposed, or characterizes daydreaming as any and all “imagined events.” These imprecise, dueling definitions pose an obstacle to future research in spontaneous thought. They also fail to illuminate the phenomenal core of daydreaming, namely, its dreamlike qualities. We argue that daydreaming is spontaneous immersive imagination in the waking state. Our investigation distinguishes daydreaming, conceptually and phenomenologically, from mind-wandering and night-dreaming. We also distinguish prototypical experiences of daydreaming from adjacent imaginative activity, including fleeting imagery and deliberate fantasy. We argue that precision about the phenomenal character of daydreaming can guide neurophenomenological investigations, including, for instance, assessing reports of so-called “maladaptive daydreaming.”
Book Chapters
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DaydreamingIn The Cambridge Handbook of Thought, ed. Andre Zamani and Kalina Christoff Hadjiilieva, Cambridge University Pressforthcoming
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Negative Rasas and the Paradox of HorrorIn Contemporary Debates in Aesthetics and Philosophy of Art, 2nd ed., ed. Brandon Polite, Elizabeth Scarbrough, and Aaron Meskin, Wileyin preparation
Reviews
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Journal of Hindu Studies 19(2): 1–42026
Honors & Grants
- Vanier Canada Graduate Scholarship, SSHRC2024
- Brian Laetz Graduate Essay Prize, UBC2024
- President’s Academic Excellence Initiative PhD Award, UBC2022
- Henry Hoyns Fellowship, University of Virginia2017
Talks
Upcoming
- Nov 22, 2026Macabre Visualization and Emotional CultivationBuddhist Studies Unit, American Academy of Religion Annual Meeting, Denver, CO
- Mar 24–27, 2027Equal Love for All: Mysore Hiriyanna on Aesthetic Experience and Communal FeelingAPA Pacific Division Meeting, Portland, OR
- Apr 15, 2027Aesthetic Shock and Emotional Insight: A. K. Coomaraswamy on SaṁvegaNumata Lecture Series in Buddhist Studies, Yale University, New Haven, CT
- 2027Death Denial and the Fog of ExperienceMortal Feelings Conference, University of Edinburgh, Scotland, UK
- 2028The Place of Beauty in Rasa TheoryLecture Series: Beauty in the Indian Aesthetic and Devotional Imagination, Jnanapravaha Mumbai Institute, Mumbai, India
Recent
- 2026From Disinterested Pleasure to Unitive Feeling: Three Neo-Rasa TakesCanadian Philosophical Association Annual Meeting, Halifax, NS
- Feb 18–21, 2026Comments on Jed Forman, Out of Sight, Into MindBook panel, APA Central Division Meeting, Chicago, IL
- Oct 26, 2025Deathbed Aesthetics: Disgust and Courageous LoveAsian Philosophy Workshop, Simon Fraser University, Burnaby, BC
- Jul 13, 2025Aesthetic Emotion in Indian Renaissance AestheticsJoint Session of the Aristotelian Society, Glasgow, Scotland, UK
- Apr 21, 2025Bees for EnactivistsPhilosophy of Animal Minds and Behavior Association, Santa Barbara, CA
- Apr 16–19, 2025Neo-Rasa: Expansive Empathy, Not DisinterestSymposium: South Asian Rasa Theory Meets Contemporary Aesthetics, APA Pacific Division Meeting, San Francisco, CA
- Oct 25, 2024Abhinavagupta and Two Puzzles About the Disgust RasaAmerican Society for Aesthetics Annual Meeting, Chicago, IL
- May 20, 2024Rasa and Negative EmotionRasa 101, Rasa Fest, University of British Columbia
- 2024Three Varieties of Immersive Imagination: Daydreaming, Fantasy, and VisualizationGraduate Student Research Conference, University of British Columbia
- Nov 18–21, 2023Towards a Cross-Disciplinary Approach to Poetic Meaning: Rasadhvani and the Heresy of Paraphrase ThesisHindu Philosophy Roundtable, American Academy of Religion Annual Meeting, San Antonio, TX
- 2023Introduction to K. C. Bhattacharyya’s AestheticsGraduate Aesthetics Seminar, University of California, Santa Cruz
- Mar 10, 2023Doing Deathbed Aesthetics with K. C. BhattacharyyaAmerican Society for Aesthetics Pacific Division Meeting, Berkeley, CA
- Mar 2, 2023Daydreaming as Spontaneous Immersive ImaginationUehiro Graduate Philosophy Conference, University of Hawaii, Manoa, HI
- Feb 25, 2023Everyday Aesthetics and Deathbed ExperiencesInternational Association of Japanese Philosophy session on Yuriko Saito, APA Central Division Meeting, Denver, CO
- Nov 23, 2022Comments: Towards a Yogācāra-Informed Enactive Approach to DreamsAuthor Meets Critics: Sonam Kachru, Other Lives: Mind and World in Indian Buddhism, American Academy of Religion Annual Meeting, Denver, CO
- 2022Comments on James Reich, To Savor the Meaning: The Theology of Literary Emotions in Medieval KashmirAuthor Meets Critics, American Society for Aesthetics Annual Meeting, Portland, OR
- Oct 16, 2022Courageous Love: K. C. Bhattacharyya and the Paradox of Painful BeautyWorkshop on K. C. Bhattacharyya, Smith College, Northampton, MA
Teaching
University of British Columbia
As instructor of record
- Minds and Machines (PHIL 250)2026
- Philosophical Wisdom of Early India (PHIL/ASIA 375)2024
As teaching assistant
- Philosophical Wisdom of Early India2024, 2026
- Philosophy of Mind2025
- Comparative Conceptions of the Self2023, 2025
- Existentialism2023
- Philosophy in the 17th Century2023
- Philosophy of Religion2022
- Introduction to Moral Philosophy2022
Advising
- Honours thesis advisor, Cognitive Systems Program2024, 2025
University of Virginia
As instructor of record
- Poetry Writing: Dream, Death, and Myth (ENCW 2300)2018–2019
- Writing and Critical Inquiry: Harry Potter and the Ethical Imagination (ENWR 1510)2019–2020
- Writing and Critical Inquiry: Writing about the Environment (ENWR 1510)2020
- Skills of Scholarship (LASE 3111)2019
- Honours thesis advisor, Area Program in Poetry Writing2018, 2019
Poetry & Prose
Lyric Essays
- “Sand Flats, UT” · Palette Poetry · Love & Eros Prize, selected by Kaveh Akbar; Pushcart Prize nominee
- Poet of the Week portfolio · ONLY POEMS · seven poems
- Djanikian Scholar portfolio · The Adroit Journal · Issue 45
- “Passenger Car,” “Dining Car,” and “Viewing Car” · The Adroit Journal · Issue 42
- “Quiet Car” · Fugue · Pushcart Prize nominee
- “Coal Hollow Fire, UT” · Indiana Review · ½ K Prize winner (print)
- “Flaming Gorge, UT” · Sonoran Review · print
- “Things We Found Out There” · About Place Journal
Lyric Poems
- “Aubade with Deep Sea Footage” · ONLY POEMS · Editor’s Choice; first published in Three Hearts: An Anthology of Cephalopod Poetry
- “Exorcism” and “Past Tense” · The Adroit Journal · Issue 43
- “Deinotherium Elegy” · Witness · Witness Award in Poetry (print)
- “Primate Elegy” · Sixth Finch
- “Migration Elegy” · Frontier Poetry
- “Bedroom,” “Living Room,” and “Laundry Room” · Birdfeast
- “Dining Room,” “Storage Room,” and “Garden Room” · Poiesis
- “Map Room,” “Playroom,” and “Panic Room” · Waxwing
- “Darkroom” · Thrush Poetry Journal · Orison Prize nominee; Verse Daily Web Weekly feature
- “Between Stations” · DIAGRAM
Short Fiction
- “Hosting” · BOOTH · Pushcart Prize and Best of the Net nominee
Reviews
- “Review: The Popul Vuh, Translated from the K’iche’ by Michael Bazzett” · Meridian
- “Review: You Think It, I’ll Say It by Curtis Sittenfeld” · Meridian · no. 41: 114–116 (print)
Interviews & Features
- “Wasn’t it Wisdom I Wanted?” · ONLY POEMS · interview by Karan Kapoor
- “Interview with Emily Lawson” · Palette Poetry · by A. T. Hincapie
- “Emily Lawson on Indian Philosophy, Death, and Imagination” · The Philosopher’s Nest · podcast, S1E9
- “Meet Our Award Holders” · UBC Graduate Studies